Bathers at
Asnières is an
oil on canvas painting by the French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The
canvas is of a suburban, but placid Parisian riverside scene. Isolated figures,
with their clothes piled sculpturally on the riverbank, together with trees,
austere boundary walls and buildings, and the River
Seine are presented in a formal
layout. A combination of complex brushstroke techniques, and a meticulous
application of contemporary colour theory bring to the composition a sense of
gentle vibrancy and timelessness.
Seurat completed the painting of Bathers
at Asnières in 1884, when he
was twenty-four years old. He applied to the jury of the Salon of the same year to have the work
exhibited there, but the jury rejected it. The Bathers continued to puzzle many of Seurat’s
contemporaries, and the picture was not widely acclaimed until many years after
the death of the artist at the age of just thirty-one. An appreciation of the
painting’s merits grew during the twentieth century, and today it hangs in the National Gallery London, where it is considered one of the highlights of the gallery’s
collection of paintings.

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